Tommy
Keys - Side Street Boogie
http://www.tommykeys.com/
If you’re into straight ahead, uncluttered
piano blues and jazz, then Side Street Boogie, the latest
disk from New York City area barrel house bluesman Tommy Keys is
just what your doctor ordered. Indeed, it’s hard to listen to the
work of the 2006 International Blues Challenge Solo Finalist and
convince yourself he’s from Long Island and not New Orleans.
Combine his thoughtful lyrics with his smooth but pleading voice,
and a judicious choice of backing musicians on several of the cuts,
and you have with Side Street Blues the real piano boogie
deal.
The disk contains six originals and a couple of
traditional blues tunes combined with several nicely-done covers.
Here’s some highlights:
First up is “High Blood Pressure,” a
fun-sounding danceable love song with a definite New Orleans piano
bar feel and a nice jazzy piano solo riff. Keys chases that with
the first of the originals, “Rum Boogie Woogie,” a lyrically clever
tune complemented by some nice walking bass. I’m guessing Tommy
wrote this one after a night at the Rum Boogie Café on Beale Street!
The bluesy original, “Singing the Blues,” is
enhanced by some excellent harmonica work from Keys, followed by
another original, “Lazy Day Blues,” a catchy tune that’ll remind you
of sitting on the levee drowning yourself with a mimosa or mint
julep in the summer sun while watching the paddle boats go by. Even
if you never sat on a levee….
Keys displays a slightly pained lilt to his
voice with the original “Oh Marie,” as he tries to coax his baby
back to his bed. He then transitions to an easy rolling rendition
of the traditional blues classic, “Boogie Man.”
If you like slow dancin’ you’ll enjoy the Keys
original, “Blue Moon River” before spinning your partner into the
upbeat cover of Sunnyland Slim’s “All My Life.” Keys next calls on
the harmonica of Ken Korb to spice up Robert Johnson’s “From Four
Until Late,” which will transfer you from the river to the rails for
long, dusty train ride back in musical time. When the
train ride ends, you’ll find yourself on Bourbon Street in New
Orleans for Mardi Gras for Keys’ instrumental send-up of the
traditional, “When the Saints Go Marching In.”
You can almost feel the blues dripping off
“Early in the Morning,” before Keys wraps up by bringing out the
steel pedal guitar for the original, “A Song For You,” a tune with a
strong down home country blues style.
If you have fond memories of the piano bar at
Pat O’Briens around the corner and down a side street from New
Orleans’ Bourbon Street, then you’ll want to wrap yourself around
this one.
Two hurricane glasses up for Tommy Keys and
Side Street Boogie. To hear some of the CD tracks,
CLICK HERE
Rob Paullin
is a long-time radio and television journalist. He has also taught
at universities in the USA, Eastern Europe and China
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