Eric
Lindell
Low On Cash, Rich In Love
Alligator Records
www.ericlindellband.com
By James “Skyy Dobro”
Walker
12 songs; 46:18 minutes; Suggested
The top surprise of 2006 was the biggest Blues record label,
Alligator, signing and promoting a non-Blues artist, Eric Lindell.
In founder and president Bruce Iglauer’s own words, Lindell is “more
roots rock than blues, with plenty of the musical flavors of his
adopted hometown of New Orleans.” Iglauer began, “I’ve been
pleasantly surprised by the way the blues community has embraced
Eric Lindell.”
On
a side note, indicative of “Blues’” niche in mainstream music, even
though Alligator is the biggest label, it is still called an “indie”
(independent) label among the legion of unincorporated indies.
Many bands have sent promo CDs to Iglauer hoping to get his label’s
support machine behind them. As the New Orleans Times-Picayune
pointed out, “Lindell has witnessed the impact a motivated record
company can have on a musician's career. After years of ... little
or no promotion, his songs are getting airplay on Triple-A and
community radio stations and the Sirius and XM satellite networks.
Airplay translates to paying customers at gigs.”
Richly talented, Lindell created a slightly Bluesier album for his
second Alligator release, and songwriting continues as a forte as he
originates simple but catchy love and lost-love songs. Lindell plays
guitar and even plays Junior Wells inspired harp on a couple of
songs. Eric’s voice is rough hewn, but it is an instantly pleasing
mid-register voice reminiscent of Van Morrison or a young Delbert
McClinton. His laid back vocals have the slight lazy slur of an
unintentional hipster.
Lindell described his music thusly to the Times-Picayune, “Chris
Mule (the band's guitarist) dug up this old Delbert McClinton CD
called Delbert and Glen [Clark], from around 1972. It's this
rootsy, bluesy, soul country. It reminded us of what we do, but with
a country feel to it.... "It's not a far stretch from what we're
already doing.”
Recorded at Piety Street Studio in New Orleans, the CD is all
originals save one cover, a totally reworked version of Gil
Scott-Heron’s “Lady Day And John Coltrane.” Saxophones have been
added to the hook-laden melodies, grooves build on top of each
other, and there’s full and thoughtful professional studio
production. Bottom line: Iglauer has scored another success – this
time through Blues’ roots rock side door.
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